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The Story Behind the Song

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Guitarist Suzanna Spring of the Mustangs of the West reflects on her life as a songwriter and the story behind their new single “T-Shirt from California.”  Come hear the Mustangs play the song THIS FRIDAY, October 26 at the Bankhead.  Read her story and then get tickets to hear it live!

The Story Behind “T-Shirt From California”

I wrote the song “T-Shirt From California” as a valentine to a place I missed when I was living in another state. I wasn’t born in California, but my parents were always California dreaming and we moved here the year I turned sixteen. I still remember the shock of the big sky, the far horizon, and the freedom. No one asked what church I went to, and it felt like everyone out here was just beginning something. I used to drive in the evenings up to a reservoir, because the road had twists and turns, and with the windows down I could really feel the way the air changes from desert-hot to cool. I became a Californian. I fell in love with the mountains and the desert. I went free-diving for abalone up the coast; hiked in Yosemite, in Joshua Tree, drove down Highway 1, to the teal-color ocean that is Big Sur.

I moved to southern California after college, and I auditioned for a band called The Mustangs, because my mom had taught my sister and me to sing and how to harmonize, and I wrote poems and songs and played guitar. I always had melodies in my head, because I’d kept a radio next to my bed since age six, soaking in the music. This band–The Mustangs–all of us women had similar stories in a way, and we had given up a lot to begin something new. We played gigs around southern California, frequently at The Palomino for Ronnie Mack’s Barn Dance. We were new writers, and we wrote a lot of love, and love-gone-wrong songs. We had some ballads, too, and a cool version of a Stones song. I always pictured that when The Mustangs got a record deal, I’d drive up PCH and run out on the beach screaming.

The band dissolved when one person left the band, another moved, and I went to Nashville to write songs. Nashville was different than California. The checkers at the grocery stores would ask, “How can I hep you?” and one time I overheard two grocery baggers having a discussion about which was the best religion: Methodist or Baptist. Any night of the week in Nashville you could hear great music, great songs–and just like all the waiters in L.A. are actors, a lot of the waiters in Nashville had song ideas they sometimes wrote on napkins, and if you talked to a waiter long enough, they would tell you a song idea they had, and ask you what you thought.

I had mostly written songs alone, in moments of angst, but in Nashville your publisher would make writing appointments for you, with co-writers, and you’d have a regular schedule of appointments: 10am-2pm, 2pm-5pm, 5pm-8pm. Not all of those necessarily on the same day, but sometimes, yes. You needed to write 12 songs a year for the publishing deal, but everyone wrote more than that, to improve the odds of getting a song cut. Then you’d make rough recordings of your songs and play them for your publisher, and if your publisher liked them, you’d get a studio recording session. This was heaven, and one step closer to having your songs played for artists, managers, and record labels. I learned that a lot of the songwriters kept “hook books”–journals where they jotted down song titles and ideas. It was more efficient than a napkin and kept all the ideas in one place. You could take this book to your writing appointment and say, “I’ve got this title,” and if your co-writer didn’t grab onto it you could say,”Well I’ve got this other idea…”

I wrote for Bluewater Music, a publishing company known for signing artist/writers. Unlike some publishers who would put up a blackboard telling their writers they needed an uptempo positive song for a particular country artist, Bluewater mostly let us write what we wanted to write. Of course the songs didn’t always get cut, because they weren’t about wise grandparents or falling in love at age four and still being crazy about each other at fifty, but If a Bluewater song did hit, it usually hit big. They were known for good and quirky writers and although I didn’t like it that they didn’t pay much, I did like the freedom.

I was missing California one morning, and just sitting on the small sofa in my living room, strumming guitar, and the chorus to “T-Shirt From California” came into my head. I knew it was good because it stayed with me; I don’t think I even wrote it in the hook book. I took the chorus to a writing appointment with Wes Hightower, a writer and session singer, and we wrote a song about how it feels when someone leaves for California to start something new– and how it feels to be left. The things I loved about California–the ocean, driving up Highway 1 or down Sunset Boulevard, hiking in Topanga Canyon –all went into that song.

I always thought “T-Shirt” would get cut by an artist in Nashville, but now I realize it probably belongs to California. I sent it to Sherry Rayn Barnett, with some other songs, since we’d stayed friends after The Mustangs. And after I moved back to California, Sherry said she had an idea about The Mustangs, and had been talking to Holly Montgomery about us playing together again, and that we should record this song. Holly had played with a drummer named Suzanne Morissette Cruz and Sherry had met Aubrey Richmond, and Sherry had found a place to record. George Landress engineered. From the first run-through, it felt right. And all the things I love about California music, the guitar jangle and the Beach Boys harmonies, it’s all there. Sherry got the song to Kirk Pasich at Blue Élan, and he got it.

And so the song came back to California, and became something new, as did The Mustangs Of The West: Suzanne, Aubrey, Holly, Sherry and me. We got a record deal, and “T-Shirt From California” is our first single. So don’t stop California dreaming–It’s different out here.

–Suzanna Spring

DON’T MISS the MUSTANGS of the WEST
Opening Act: Paul Jefferson

Friday, October 26 at 8pm

CLICK HERE TO BUY TICKETS NOW!

Hot Shows Added!

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Jake Shimabukuro, Robert Cray, Larry Gatlin & the Gatlin Brothers (top), The Choir of Man (bottom), Keb’ Mo’

The 2018-2019 Season at the Bankhead just got more exciting! Our season is largely set by the end of May, but we jump on the opportunity to add great shows like these. There’s both returning favorites and artists completely new to our audiences.  The list includes two blues greats, the return of Robert Cray on February 10 and Keb’ Mo’, making his first appearance at the venue on May 14. Country music stars Larry Gatlin and the Gatlin Brothers bring familiar hits from their long career such as “All the Gold in California” plus the stories behind the songs on November 16.

Called the “ultimate feel-good show…90 minutes of indisputable joy,” The Choir of Man arrives February 17 with their rollicking concert set in a real working pub. The nine male band members sing, dance, and foot-stomp through music, from pub tunes, folk, Broadway, classic rock. All while pulling pints and inviting the audience to get up close and personal with the show.

Back by popular demand, ukulele master Jake Shimabukuro returns on January 29 on tour for his just released album “The Greatest Day.” The new release features some of his most adventurous works, both original and imaginative covers of iconic rock hits.  He’s sold out all five times he’s been at the venue, even the Bankhead’s inaugural year when he was largely unknown beyond his viral YouTube video.

Tickets for Robert Cray, Keb’ Mo’, The Choir of Man, and Larry Gatlin & the Gatlin Brothers are on sale now.
Member presale only for Jake Shimabukuro until October 8.

 

And don’t forget an earlier addition! The Mustangs of the West brings their fresh California Country sound to the Bankhead on October 26.  Started in Southern California in the early 1980s, the Mustangs have reunited and are ready to soar again. Bonus note — Suzanna Spring of the Mustangs is a Livermore local! Often seen at her studio, Dragonfly Yoga, Suzanna has been a Mustang from the very beginning, her guitar and vocals an integral part of their sound.  Hear their latest song T-Shirt from California here and read about Paul Jefferson who will be opening for them at the Bankhead.

TICKETS ON SALE NOW!*

Become a member now and you’ll hear about new shows first,
receive a 10% discount all year long, and other member benefits. 

*Tickets for all shows except Jake Shimabukuro on sale now. Member Presale for Jake Shimabukuro ends October 8.

 

Guitar Greats
at a Great Price

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Don’t miss the rich and versatile sounds of the acoustic guitar at the Bankhead Theater this season!  Three separate performances certain to please guitar lovers start in September with the flamenco-inspired style of Ottmar Liebert and runs into 2019 with International Guitar Night in February hosted by Luca Stricagnoli and Wyndham Hill founder Will Ackerman’s “The Gathering 4 Guitars” in March.  Three great nights … nine great  guitarists!

Get your tickets to all three shows before September 15
and save 10% on the purchase.

Ottmar Liebert & Luna Negra:  Nouveau flamenco guitarist Ottmar Liebert is renowned worldwide for his innovative contemporary style incorporating musical influences from rock to reggae. He redefined the art form nearly three decades ago with his signature song “Barcelona Nights” off his double platinum debut album Nouveau Flamenco, which remains one of the best-selling guitar albums of all time. Since then his music has continued to evolve as he has explored different styles and rhythms, adding other instrumentation, but always staying centered on his intricate melodies. With 33 albums, half of which have gone Platinum, Liebert is considered one of the most successful instrumental artists in the world. His rich, sensual sound and relaxed, intimate performances continue to find enthusiastic audiences across all musical genres.  Saturday, September 15 at 8pm

“Music that moves the body while it touches the heart.” – Los Angeles Times

International Guitar NightAfter thrilling Bankhead audiences in 2017 with his showmanship, precision performance, and arrangements of heavy-metal songs, Italy’s innovative contemporary guitarist Luca Stricagnoli will return as host for International Guitar Night.  Founded by renowned Bay Area guitarist Brian Gore, IGN is now in its 18th year of touring. This unique and intimate annual event serves as a showcase for remarkable acoustic guitar talent from around the world. Joining Stricagnoli will be French Swing sensation Antoine Boyer, Flamenco master Samuelito, and Turkish fretless guitarist Cenk Erdogan. All four will present their latest works then perform together, sharing musical ideas through creative collaboration and exploring the diversity of the acoustic guitar world. Thursday, February 28 at 7:30pm

“These four talented musicians bring so much diversity and passion to each performance –
a treat for every acoustic guitar fan.” –Arizona Reporter

The Gathering 4 Guitars:  Grammy Award-winning music producer and guitarist Will Ackerman is universally recognized as the preeminent pioneer in new age music. He single-handedly fostered the careers of generations of acoustic guitarists and pianists through his ground-breaking work at Windham Hill Records. In this intimate evening of acoustic music, Ackerman will be joined by kalimbatar/guitarist Trevor Gordon Hall, Imrat guitar/guitarist Todd Mosby and acoustic guitar maestro Vin Downes, each of whom was selected by Ackerman for their superlative skills and creative compositions. The four unite at the end of the evening to create a concert of unrivaled beauty, intrigue, artistry and wonder. Thursday, March 28 at 7:30pm

“Taking the acoustic guitar into new directions, too, exploring deeply felt, richly individualistic paths
that are striking for their warmth, clarity, and vision.” – Acoustic Guitar

Buy Now! Put all three shows in your cart and
use discount code: GUITAR at check out.

Want to SAVE MORE? Become a member now and your benefits will double the discount. Join here and enjoy the discount and more.

New Season – On Sale Now!

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Artists (clockwise from upper left):  Russian National Ballet, BJ Thomas, Melissa Manchester, Branford Marsalis, Nobuntu, The Clairvoyants, Don Felder, The Chinese Acrobats, Tom Papa, Big Bad Voodoo Daddy.  

Tickets for some shows are already moving fast … Don’t miss this chance to get the best seats!

SEE THE ENTIRE LIST, THEN BUY YOUR TICKETS NOW!

MEMBERS receive 10% off single tickets or 15% off five or more shows.
Membership starts at just $125. Click HERE to become a member today!

The 2018-2019 season at the Bankhead Theater are now on sale! Located at the heart of downtown Livermore, the Bankhead will welcome a range of artists from all musical genres, as well as comedy, dance, theater, and other performing arts.

The season officially begins on Saturday evening, September 8, 2018 at the Brilliance at the Bankhead Gala featuring Grammy Hall of Fame legend BJ Thomas accompanied by the Livermore-Amador Symphony. The festive fundraising event begins on the plaza with a dinner reception and full bar, and continues inside before the concert with live and silent auctions.

Other notable highlights among the nearly 40 events scheduled through May 2019 are acclaimed artists such as jazz great Branford Marsalis, rock guitarist Don Felder, and singer/songwriters Jim Messina and Melissa Manchester, all of whom will make their first appearance in Livermore.

BJ Thomas on Sep 8

Natalie MacMaster and Donnell Leahy on Feb 27

Returning favorites include comedian Tom Papa, fiddle master Natalie MacMaster, and Big Bad Voodoo Daddy with their infectious feel-good swing sound. Music of all genres as well as comedy, theater and dance are well represented, including a first visit to the Bankhead by renowned all-male comic ballet company Les Ballets Trockadero de Monte Carlo.

 

Les Ballets Trockadero de Monte Carlo on Jan 31

In addition, the Bankhead will take the opportunity this season to present some excitingly different performances including The Clairvoyants, whose mind-blowing, mind-reading talents stunned the audience on “America’s Got Talent” in 2016, Cirque Éloize “Saloon”, a musical acrobatic adventure of the wild, wild West, and the visually-spectacular combination of dance moves, compelling rhythms, and lighting effects that tell the story of “Currents” by Mayumana. Chicago’s remarkable Mariachi Herencia de Mexico, the first youth mariachi band ever nominated for a Latin Grammy, will appear in October on their first national tour.

Mariachi Herencia de Mexico on Oct 27

Cirque Eloize “Saloon” on Mar 21

Executive Director Scott Kenison emphasized Livermore Valley Performing Arts Center’s commitment to making entertainment accessible to all audiences. Starting this summer and extending through the upcoming season, a new $20 seating level has been introduced for every single Bankhead Presents show. While quantities are limited, Kenison hopes the opportunity to enjoy great artists at an affordable price will allow everyone in the community to be touched by the performing arts. Tickets also priced at $20 for students and active military personnel are available year round.

Family-friendly events bring the arts to all ages from the dazzlingly athletic feats of The New Chinese Acrobats to Chris Perondi’s Stunt Dog Experience, the original “all-dogs, all-fun” show. Family Films, “E.T. the Extra-Terrestrial,” “The Princess Bride,” and “Honey, I Shrunk the Kids,” are being screened at the Bankhead this summer, and the popular Classic Film Musicals, complete with newsreel and cartoons of the era, will return in the fall with “On The Town,” “Showboat” and “Meet Me in St. Louis.”

The Bankhead has established itself as a popular venue for comedy and a number of events will keep audiences laughing. This season a comic approach to nearly every holiday is offered from The Reduced Shakespeare Company’s “The Ultimate Christmas Show (abridged),” and Second City’s Valentine-themed “It’s Not You, It’s Me,” to Late Nite Catechism’s “Will My Bunny Go To Heaven?”  Comedy and drama will merge in a single performance of L.A. Theatre Works powerful production of “Steel Magnolias” in October.

In addition to Bankhead Presents shows, the Resident Companies of the Bankhead – Del Valle Fine Arts, Livermore-Amador Symphony, Livermore Valley Opera, Pacific Chamber Orchestra, Rae Dorough Speakers Series, Tri-Valley Repertory Theatre, and Valley Dance Theatre – offer nearly 50 performances and events of their own during the season.

The 2018-2019 Season at the Bankhead opens at the end of the previously announced Summer Series which features more than a dozen shows including country music legend Lee Greenwood, blues-rock band Indigenous with Chris Duarte, and the return of western swing greats Asleep at the Wheel.

Be sure to check out the entire 2018-2019 Season list! Or flip through the online brochure.

The more the merrier!  With such a great line-up,
you’ll want to join us at the Bankhead often.
Buy tickets for any FIVE shows
at the same time and receive a 10% discount.*

 * Members receive a 15% discount on five or more shows. If you’re a member login here. If you’re not a member, consider joining today — there’s never been a better time!   In addition to supporting the arts, you’ll be among the first to hear about any new shows and you’ll receive 10% off single tickets for Bankhead Presents shows all year (Resident Company and Rental Company shows are not eligible.) Other benefits are available at higher levels. New members under the age of 35 can join at the new 35MM level for just $50.

 

Interview: Rita Coolidge

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In a wide ranging interview with writer Lou Fancher at the East Bay Times, pop icon Rita Coolidge talks about her early days in the music industry when men held all the power and the impact that had on women, how she see things changing now, and why it matters. She also discusses the many people who have had an influence on her life and her music — from her grandmother and her Cherokee heritage, to fellow musicians and leaders of the modern day blues era.

Coolidge has put her whole heart into her recently released album “Safe in the Arms of Love” She co-wrote three of the 12 songs on the album and the entire album reflects the pain, uplifting recovery and strength she has found in her life.

“It’s about the wonderful possibilities we have to experience love, embrace the tragedies, to keep going. The record is about that joy.
I want for women and men to realize love is always around, you just have to open your eyes and heart.”

Read the whole article HERE and then buy tickets to see Rita Coolidge in the intimate 500 seat Bankhead Theater. For more about Rita, visit the event page.

RITA COOLIDGE

Saturday, July 7 at 8pm

BUY TICKETS NOW!

Summer at the Bankhead!

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Top: Rita Coolidge, Derik Nelson & Family, Shawn Colvin, Keiko Matsui, Mato Nanji of Indigenous
Bottom: Southern Fried Chicks, Rockapella
Not shown: The Company Men, Chris Duarte

ON SALE NOW!

The 2018 SUMMER SERIES at the Bankhead Theater is now on sale! Seven great shows are planned at the Bankhead, running from June through the beginning of September. See the LIST hereMEMBERS receive 10% off single tickets or 15% off five or more shows.* Members log in here to buy now.  Membership starts at just $125. Click HERE to become a member today!

This summer the Bankhead Theater will welcome the return of such favorites as legendary pop icon Rita Coolidge, a two-time Grammy Award-winner who filled the theater in 2012. Her timeless hits such as “Higher and Higher” and “We’re All Alone” topped the charts in the 1970s and she has explored other genres as well including classic jazz tunes and music that pays tribute to her Native American heritage. Keiko Matsui returns in August with her signature contemporary smooth jazz  and this summer marks the third visit to the Bankhead for the powerful full-band vocal sound of Rockapella. In an afternoon of pure vocal magic, Rockapella will share the stage with The Company Men, whose voices blend  in irresistible mash-ups of hit songs, both classic and modern.

 ROCKAPELLA & THE COMPANY MEN

Several other artists will make their first visit to Livermore including singer/songwriter Shawn Colvin and the American blues-rock band Indigenous, featuring Mato Nanji, with Chris Duarte. A night of laughter will bring the Series to a close on September 1st with the Southern Fried Chicks hilarious take on life and love in their “Cage Free Comedy Tour!”

And this summer don’t miss Derik Nelson & Family! The three talented siblings, Derik, Riana and Dalten Nelson, will return with their perfectly-blended folk and jazz harmonies only a family can deliver. As they did last year, the three will lead a week-long music workshop tailored to teens that focuses on musicianship, songwriting and performance techniques. The workshop builds skills and confidence through both one-on-one technique building and group interaction and ends with a student performance on the stage of the Bankhead. On Friday evening, July 13th, audiences can enjoy Derik Nelson & Family’s full multi-media concert experience.  The workshop will be open to middle school and high school students and run Monday through Friday from 10am to 4pm. Registration

  DERIK NELSON AND FAMILY MUSIC WORKSHOP

in addition to the Summer Series at the Bankhead, resident company Tri-Valley Repertory Theater will present “Disney’s The Little Mermaid” for seven performances from July 21st through August 5th.  Other events are planned throughout the summer from community concerts to film screenings.  Visit the website frequently for updates and stay in touch by joining our email list on the bottom of our homepage.  View all the Bankhead Presents shows on sale HERE and order your tickets today. It’s summertime at the Bankhead … you won’t want to miss out!

DON’T MISS SUMMER AT THE BANKHEAD
BUY YOUR TICKETS NOW!

 

* Members receive 10% off single tickets and a 15% discount on FIVE or more Bankhead Presents shows. If you’re a member login here. If you’re not a member, consider joining today! Memberships start at just $125. In addition to supporting the arts, you’ll be among the first to hear about any new shows and receive member discounts all year long. Additional benefits are available at higher levels.

 

Free Concert – Sold Out

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US NAVY SEA CHANTERS

February 27 at 7:30pm

Throughout the year, Livermore Valley Performing Arts Center offers a range of arts experience to the community through free concerts, art exhibits and cultural events. For the past two years, the Livermore-Amador Symphony and dancers from Valley Dance Theatre have participated in a free holiday concert in early December.  This year, the Bankhead Theater will host the US Navy Sea Chanters in a free concert on Tuesday evening, February 27 at 7:30 pm.  The Navy Band Sea Chanters is the United States Navy’s official chorus. The ensemble performs a variety of music ranging from traditional choral music, including sea chanteys and patriotic fare, to opera, Broadway, and contemporary music.  Watch the US Navy Sea Chanters in Concert here and don’t miss this opportunity to see them live in Livermore!

CONCERT IS FREE BUT TICKETS ARE REQUIRED
Please arrive early. Open seats will be released to the wait list at 7:15 pm
Event is sold out — to be added to the wait list click here

 

MORE ABOUT THE SEA CHANTERS

Under the leadership of Senior Chief Musician Adam Tyler, the Sea Chanters perform for the public throughout the United States. At home in Washington, they perform for the president, vice president and numerous congressional, military and foreign dignitaries. In 1956, Lt. Harold Fultz, then the band’s assistant leader, organized a group from the Navy School of Music to sing chanteys and patriotic songs for the State of the Nation dinner. An immediate success, Adm. Arleigh Burke, then chief of naval operations, transferred them to the Navy Band, named them the Sea Chanters and tasked this all-male chorus with perpetuating the songs of the sea. In 1980, the group added women to their ranks and expanded their repertoire to include everything from Brahms to Broadway.

The Sea Chanters are frequently found at the center of our most important national events, including inauguration day in 2009. They have played a vital role in comforting the nation in times of mourning, including appearances at memorials for the astronauts of the space shuttle Columbia and the presidential wreath laying ceremony at the United Airlines flight 93 crash site in Shanksville, Pa. Their performance of “Amazing Grace” for the National Day of Prayer and Remembrance at the National Cathedral in Washington after the events of 9/11 inspired all in attendance as well as a national television audience. In 2004, the chorus participated in former President Reagan’s funeral at the National Cathedral, and in 2007 performed in the U.S. Capitol’s rotunda as former President Ford was lying in state. The chorus was instrumental in the dedication ceremonies of the World War II memorials in Bedford, Va., and in Washington. In 1994, they provided music at the funeral of former President Nixon in Yorba Linda, Calif., and the interment of former first lady Jacqueline Kennedy Onassis at Arlington National Cemetery.

They have appeared at the Kennedy Center Honors and with the National Symphony Orchestra for the nationally telecast “National Memorial Day Concerts” at the U.S. Capitol. In addition the group has appeared on “Larry King Live” and “CBS This Morning” as well as at the premier of the movie “Pearl Harbor.” In 2008, the Sea Chanters performed with the Mormon Tabernacle Choir under the direction of Mack Wilburg. Noted choral directors Dale Warland, and Donald Neuen have guest conducted the ensemble, and renowned composers Michael McCarthy, Roger Bourland, William MacDuff and Lloyd Pfautsch have written works especially for them. Other notable orchestral appearances include the Kansas City Symphony, the Boston Pops Esplanade Orchestra, the Baltimore Symphony and the Cincinnati Pops Orchestra. The Sea Chanters have enjoyed a great reputation performing with such stars as Perry Como, Marian Anderson, Kenny Rogers and Lionel Richie.

Throughout their history, the Sea Chanters have remained true to the Navy’s watchwords of pride and professionalism, and they continue to flourish as a vibrant ensemble.

OK GO (SOLD OUT)

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WHEN MUSIC MEETS MATH

It all started in an arts camp. According to OK GO’s guitarist and lead singer Damian Kulash, he and bandmate Tim Nordwind met when they were just 11 years old. Their favorite teacher in the camp would lay out the day’s activities and say “OK, Go!” The two friends jumped right in and that message of creative freedom – a clarion call to follow the imagination – has not only become their band name, but fueled their work to this day.

As OK GO, Kulash and Nordwind together with Dan Konopka and Andy Ross, have singlehandedly propelled the pop music video from its original scenic and storytelling roots of the 1980s into the 21st century. Ever since “Here It Goes Again“ took their coordinated treadmills viral in 2006 and won the Best Music Video Grammy Award, their mind-blowing videos have ignited the imagination of tens of millions of viewers and won a long list of awards. The release of new OK GO videos now generates buzz well in advance.

Whether they are aware of it or not, what fascinates fans is not just the music, it’s the math. Released last November, OK GO’s latest video “The One Moment” is 4.2 seconds of moving images, flying paint, and exploding guitars – 325 discrete events slowed down 20,000 percent and timed precisely to the lyrics of the song. In an interview with Rolling Stone magazine, Kulash said working on the video was all about the calculations. Breaking the visuals down into increments meant they were subdividing beats into intervals as short as two milliseconds. At that speed he said, “choreography just turns into math…. a lot, a lot, a lot of math.”

Math and science finds its way into everything they do. OK GO was awarded a Smithsonian American Ingenuity Award in 2016 for their amazing zero-gravity video “Upside Down & Inside Out.” Filmed aboard a jet over Soviet airspace, the band relied on the physics of parabolic flight, shooting a single continuous take of multiple 25-second periods of weightlessness to create 3:20 minutes of film that aligns with the song’s catchy lyrics.

For the band, the music and the math are merged into one and that challenge is what makes it all fun. “We’re always trying to think of something that feels just on the other side of impossible,” Kulash told Rolling Stone. The result is arresting, must-see art powered by irresistible music that engages, entertains, and feeds the imagination, leaving everyone with just one question, “What in the world will they think of doing next?”

Watch OK GO’s amazing video “In One Moment” here.

Then read about the making of “In One Moment” in Rolling Stone here.

OK GO

at the Bankhead Theater

Friday, November 3 at 8 p.m.

SOLD OUT

 

 

 

Lee Ann Womack

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JUST BOOKED

All the Trouble Tour

Feb 19, 2018 at 7:30pm

On Sale Now

Called one of country music’s finest voices, Lee Ann Womack has sung music from across the breadth of the genre. Her self-titled debut album in 1997 led to her being named Top New Female Vocalist at the American Country Music Awards and the soaring success of her cross-over hit single “I Hope You Dance” sent her to the top of the charts. She now returns to the traditional country roots of her East Texas upbringing with her just released album, “The Lonely, The Lonesome & The Gone,” a breathtaking hybrid of country, soul, gospel and blues, that reflects the true power of Womack’s heart, voice and spirit.

In a career-spanning profile of Lee Ann’s work, The New York Times called her “one of her generation’s most acclaimed vocalists,” saying the record embodies “the most delicate and desperate extremes of melancholy inscribing countrypolitan and torchy pop arrangements with sighing silences, and launching into anguished, note-bending runs during the roiling, down-home numbers. The liberal use of reverb, particularly on the steel guitar and her voice, has a haunting effect.” Read the full feature here.

To accompany the new album, Lee Ann has announced over 30 additional full-band headlining dates including one at the Bankhead. She’ll be accompanied by some of Nashville’s best musicians, with Jonathan Trebing (guitar), Lex Price (bass), Dave Dunseath (drums), Justin Schipper (pedal steel) and Luke Bulla (fiddle) rounding out her touring band.

For more on how ‘The Lonely, The Lonesome & The Gone’ came to life, watch this mini documentary produced by Live Nation’s Homecoming series here.

Produced by her husband Frank Liddell (2017 ACM Album of the Year winning producer for Miranda Lambert’s ‘The Weight of These Wings’) and largely recorded at the legendary SugarHill Studios in Houston, TX, ‘The Lonely, The Lonesome & The Gone’ features more Lee Ann Womack co-writes than all her previous albums combined, making it her most personal collection to date.

Don’t miss the opportunity to see
LEE ANN WOMACK
in the intimate Bankhead Theater!

Buy Tickets Here

Interview: Joan Osborne

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In a compelling new interview with writer Lou Fancher of the East Bay Timessinger/songwriter Joan Osborne explains what inspires her about Bob Dylan’s music and how it expands her perspective and influences her music. 

“When you’re doing any covering of other people’s material, your job is to bring out something that hasn’t been discovered yet. When you have an artist of the depth and richness of Bob Dylan, you tend to go to emotional terrains that you haven’t gone to in your own work,” she said.

Because she “cut her teeth” as a singer in part by performing from early on Dylan’s folk-based, American idiom-filled work, Osborne didn’t actually discover new technical aspects to her voice while working on the project. But with years of singing, the 55-year-old says a deep richness and new textures she calls “seasoning” have appeared.

An exceptional songwriter herself, Osborne’s take on Dylan’s songs become a rich collaboration. 

Because her voice and Dylan’s are worlds apart, Osborne never pursued imitation while adapting the songs. “The point was to take the song, divorce it from Dylan’s interpretation, view it as chord progressions, the melody, the lyrics, and do it again from scratch. In that way, it really was about finding the material I loved and connecting that with my voice in a way that the song and my voice blossom.”

——> Read the rest of Lou Fancher’s interview with Joan Osborne here

Then buy tickets to hear Joan’s take on Dylan’s songs in the intimate setting of Livermore’s Bankhead Theater.

Joan Osborne sings Songs of Bob Dylan

Opening Act: Will Champlin

Friday, October 27 at 8 p.m.

BUY TICKETS NOW

 

 

 

Upcoming Events

Fri 14

The Nutcracker

Fri, December 14 @ 7:00 pm
Organizer: Valley Dance Theatre
925.243.0925
Thu 20

The Doo Wop Project Christmas

Thu, December 20 @ 7:30 pm
Fri 21

Irish Christmas in America

Fri, December 21 @ 8:00 pm
Sat 22
Sat 22

Love Actually

Sat, December 22 @ 7:00 pm

Call 925.373.6800 or email websales@livermoreperformingarts.org for tickets and information