Monthly Archives

October 2017

OK GO (SOLD OUT)

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WHEN MUSIC MEETS MATH

It all started in an arts camp. According to OK GO’s guitarist and lead singer Damian Kulash, he and bandmate Tim Nordwind met when they were just 11 years old. Their favorite teacher in the camp would lay out the day’s activities and say “OK, Go!” The two friends jumped right in and that message of creative freedom – a clarion call to follow the imagination – has not only become their band name, but fueled their work to this day.

As OK GO, Kulash and Nordwind together with Dan Konopka and Andy Ross, have singlehandedly propelled the pop music video from its original scenic and storytelling roots of the 1980s into the 21st century. Ever since “Here It Goes Again“ took their coordinated treadmills viral in 2006 and won the Best Music Video Grammy Award, their mind-blowing videos have ignited the imagination of tens of millions of viewers and won a long list of awards. The release of new OK GO videos now generates buzz well in advance.

Whether they are aware of it or not, what fascinates fans is not just the music, it’s the math. Released last November, OK GO’s latest video “The One Moment” is 4.2 seconds of moving images, flying paint, and exploding guitars – 325 discrete events slowed down 20,000 percent and timed precisely to the lyrics of the song. In an interview with Rolling Stone magazine, Kulash said working on the video was all about the calculations. Breaking the visuals down into increments meant they were subdividing beats into intervals as short as two milliseconds. At that speed he said, “choreography just turns into math…. a lot, a lot, a lot of math.”

Math and science finds its way into everything they do. OK GO was awarded a Smithsonian American Ingenuity Award in 2016 for their amazing zero-gravity video “Upside Down & Inside Out.” Filmed aboard a jet over Soviet airspace, the band relied on the physics of parabolic flight, shooting a single continuous take of multiple 25-second periods of weightlessness to create 3:20 minutes of film that aligns with the song’s catchy lyrics.

For the band, the music and the math are merged into one and that challenge is what makes it all fun. “We’re always trying to think of something that feels just on the other side of impossible,” Kulash told Rolling Stone. The result is arresting, must-see art powered by irresistible music that engages, entertains, and feeds the imagination, leaving everyone with just one question, “What in the world will they think of doing next?”

Watch OK GO’s amazing video “In One Moment” here.

Then read about the making of “In One Moment” in Rolling Stone here.

OK GO

at the Bankhead Theater

Friday, November 3 at 8 p.m.

SOLD OUT

 

 

 

Lee Ann Womack

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JUST BOOKED

All the Trouble Tour

Feb 19, 2018 at 7:30pm

On Sale Now

Called one of country music’s finest voices, Lee Ann Womack has sung music from across the breadth of the genre. Her self-titled debut album in 1997 led to her being named Top New Female Vocalist at the American Country Music Awards and the soaring success of her cross-over hit single “I Hope You Dance” sent her to the top of the charts. She now returns to the traditional country roots of her East Texas upbringing with her just released album, “The Lonely, The Lonesome & The Gone,” a breathtaking hybrid of country, soul, gospel and blues, that reflects the true power of Womack’s heart, voice and spirit.

In a career-spanning profile of Lee Ann’s work, The New York Times called her “one of her generation’s most acclaimed vocalists,” saying the record embodies “the most delicate and desperate extremes of melancholy inscribing countrypolitan and torchy pop arrangements with sighing silences, and launching into anguished, note-bending runs during the roiling, down-home numbers. The liberal use of reverb, particularly on the steel guitar and her voice, has a haunting effect.” Read the full feature here.

To accompany the new album, Lee Ann has announced over 30 additional full-band headlining dates including one at the Bankhead. She’ll be accompanied by some of Nashville’s best musicians, with Jonathan Trebing (guitar), Lex Price (bass), Dave Dunseath (drums), Justin Schipper (pedal steel) and Luke Bulla (fiddle) rounding out her touring band.

For more on how ‘The Lonely, The Lonesome & The Gone’ came to life, watch this mini documentary produced by Live Nation’s Homecoming series here.

Produced by her husband Frank Liddell (2017 ACM Album of the Year winning producer for Miranda Lambert’s ‘The Weight of These Wings’) and largely recorded at the legendary SugarHill Studios in Houston, TX, ‘The Lonely, The Lonesome & The Gone’ features more Lee Ann Womack co-writes than all her previous albums combined, making it her most personal collection to date.

Don’t miss the opportunity to see
LEE ANN WOMACK
in the intimate Bankhead Theater!

Buy Tickets Here

Interview: Joan Osborne

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In a compelling new interview with writer Lou Fancher of the East Bay Timessinger/songwriter Joan Osborne explains what inspires her about Bob Dylan’s music and how it expands her perspective and influences her music. 

“When you’re doing any covering of other people’s material, your job is to bring out something that hasn’t been discovered yet. When you have an artist of the depth and richness of Bob Dylan, you tend to go to emotional terrains that you haven’t gone to in your own work,” she said.

Because she “cut her teeth” as a singer in part by performing from early on Dylan’s folk-based, American idiom-filled work, Osborne didn’t actually discover new technical aspects to her voice while working on the project. But with years of singing, the 55-year-old says a deep richness and new textures she calls “seasoning” have appeared.

An exceptional songwriter herself, Osborne’s take on Dylan’s songs become a rich collaboration. 

Because her voice and Dylan’s are worlds apart, Osborne never pursued imitation while adapting the songs. “The point was to take the song, divorce it from Dylan’s interpretation, view it as chord progressions, the melody, the lyrics, and do it again from scratch. In that way, it really was about finding the material I loved and connecting that with my voice in a way that the song and my voice blossom.”

——> Read the rest of Lou Fancher’s interview with Joan Osborne here

Then buy tickets to hear Joan’s take on Dylan’s songs in the intimate setting of Livermore’s Bankhead Theater.

Joan Osborne sings Songs of Bob Dylan

Opening Act: Will Champlin

Friday, October 27 at 8 p.m.

BUY TICKETS NOW

 

 

 

Call 925.373.6800 or email websales@livermoreperformingarts.org for tickets and information